This is Judy during the workshop:
She is a very good teacher! Very well prepared, knowledgeable, calm and articulate. At a comfortable pace, she guided us throughhow to develop a small relief sculpture of a head.
Mostly it was about the sequence of adding elements, and setting proportions. We used a low fire raku clay body with lots of grog, I think so that it would dry well, since there would be a lot of uneven depths of clay. The head is made from a solid lump, and then hollowed out later.
She had prepared for each of us a gypsum board with proportions marked along the bottom edge.
Above is my little 4 inch tall head placed on a backing slab of clay.
I wasn't sure whether to try hair or a scarf, and I think it looks like a cross between the two. I was hoping it would look more like a scarf blowing in a breeze,
Looking at it from the bottom, you can see that it is pretty realistic in terms of how far the nose and chin and lips protrude,
I am definitely going to try another one, but perhaps a bit larger, like 6 inches,
Judy recommended the books by Phillippe Faraut,
He is a gifted portrait sculpture in New York, whose website is found here.
(Phillippe Faraut, photo from his web site) |
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Wow! That's really wonderful...and Phillipe Feraut's work is amazing!
ReplyDeleteamazing!
ReplyDeletecheers
molly
fascinating and inspiring!!
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